In defiant response to the mechanisms, habits, and status of the museum, artist Aldo Giannotti’s concepts and props, initially conceived in sketchbooks, transform into tangible institutional realities, reshaping the museum’s social and spatial architecture and sometimes literally breaking its walls. This realignment establishes accountability, on the spot and without holding back, to meet real needs.

This is a practice-based institutional critique based on permanent personal practice and is approached from the actual floor. Through dialogue with the museum staff, guards, and visitors, Giannotti initiates an inclusive engagement with the institution and its underlying purpose.